Jenny
Miller studied as a mezzo-soprano at the London National Opera
Studio, having won the prestigious Peter Stuyvesant Award. In 1983-84
she understudied and performed the title-role in Glyndebourne Festival
Opera’s production of La Cenerentola. This led to her official
Festival debut as Pallade in L’Incoronazione Di Poppea the
following year, and she sang Cherubino in Glyndebourne Touring Opera’s
Le Nozze Di Figaro that autumn.
In
1985 she won both the first prize for mezzos and the Erna Spoorenburg
Opera Prize at the ‘s-Hertogenbosch
International Singing Competition. In 1986 she sang Amneris for the
Brighton Festival’s production of Aida, and performed the role
of Mercedes and Carmen for Scottish Opera. Numerous roles since
have included the title role in Rinaldo and Agrippina
by Handel, both for Midsummer Opera, the principal role in Le Roi
D’Ys (Bloomsbury Theatre London), the heroine Clarice in Pietra
Della Paragone and Jeannie in Robin Orr’s Full Circle.
She
has sung Dorabella in Cosi Fan Tutte for the Bermuda Festival and
the title role in Carmen again for Regency Opera. She has won two
further prizes, the First Prize in the Maria Canals International
Singing Competition and the Jurarez Cabello Prize for outstanding
interpretation at the Rio Di Janeiro International Opera Competition,
and she has created the role of Nell by Alison Bauld, (premiered
at the London International Opera Festival at the Donmar Warehouse).
Recent
work has included performing as the Sorceress in Dido and Aeneas,
Marcellina in Le Nozze Di Figaro, Rosmira in Handel’s opera Partenope
and Maddelena in Rigoletto. She understudied the roles of
Venus and ‘second Norn’ in Arianna and Gotterdammerung
respectively, for the Royal Opera House, and sang the title role in Mrs
Fraser’s Frenzy, by George Newson, premiered at the Canterbury and
Cheltenham International Festivals. She has performed in Hotel,
a new ‘jazz opera’ by Orlando Gough, with Second Stride, and sang
the role of Mother in Hansel and Gretel at the Festival Hall.
She
made her debut as a dramatic soprano with Longborough Festival Opera,
singing Brunnhilde in the Vick/Dove version of Wagner's Ring Cycle,
starting in 2000 and touring to the Cambridge Arts Theatre in 2002. She
has also performed Tosca (Visible Music Theatre) and is singing the
Witch in Hansel and Gretel this summer, as well as
premiering/touring the new opera Abraham on Trial by Andrew
Lovett. She has recently returned from an opera concert tour of Thailand
and will be returning there next year.